Byrne/Eno Pean Again

by on September 18, 2007

I’m very rarely inspired to write about anything. When I do, it’s usually in reaction to something from outside. It doesn’t come “from me” in the artistic sense. Admittedly, I don’t write much uplifting stuff though – it’s mostly boring. This post is different however because I don’t know where it came from.

I was going though some bookmarks today (I remember a time when I thought I’d never use a bookmark manager), and saw My Life in the Bush of Ghosts go by. This, you may recall, is the incredible album from 1981 that turned into an incredible re-issue in 2006 accompanied by the CC-licensing of two of its tracks, both in their original 24-track form. This to me was a combination of two great tastes that taste great together: music and copyleft.

I’d not been to the site since just after its launch in 2006, when it had about five or six remixes uploaded. Now it has masses, and they are all wonderful.

I once thought we had lost the ancient art of the remix – the fuel of all music from the stone age to jazz. From about the 1970′s we witnessed the onset of the copyright plague that incubated the flesh-eating virus of pap pop, SAW and disco (we had to fight the punk wars to stay free – never forget that). But sites like this remind me that I was wrong.

I like being wrong. In the end, it feels better than being right.

Comments

Sort of apropos of this – there’s been quite a bit of buzz about Tenori-on recently, which reminds me a bit of Eno’s Koan Project. But what happened to that and the company that made it? I can’t seem to find much on the web about it.

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